Barely a month after Undine’s* 24th birthday, she is dragged into a car at night, violently drugged and raped for several hours. To overcome this emotional and physical trauma, she finds her voice in dance to express her longing for a peaceful and harmonious existence.

In an interplay of melancholy and hope, the documentary UNDINE* (Working title) is an upsetting and, at the same time, uplifting confrontation with the consequences of sexual violence. In processing the violence experienced, Undine*, the eponymous protagonist, finds her voice as a choreographer and dance teacher, raising hope for a new present. Together with her boyfriend Thiago and Mandinga, a black Labrador, they share a two-room apartment on the 21st floor in east Berlin. In this protected setting, the film gives space for carefree devotion and playful mutuality. In self-recorded video diaries, she recounts the relapses and progress of her psychotherapy. These enrich the film with an intimacy which is fundamental to deal with the subject matter. Above all they allow Undine* to tell her story to a certain extent through her own words. Recurring dance improvisations with Undine* subtly subvert the documentarian form, creating touching moments without spoken words and, thereby, space for reflection.
The film UNDINE* follows the lead of its protagonist and looks ahead with a utopian vision. A leap beyond the shadow in search of answers. How do I want to live, what does it mean to love, and what do we take for granted every day? What does my mind feel, and how does my heart think?


The town of Grand-Popo on the West African coast is in danger of being devoured by the sea. Stuck between the construction of a dam and the rising seas, its people face the uncertainty of the future. A fisherman and a voodoo priestess fight to prevent their homes from being destroyed. A tour guide and a singer-songwriter tell the story of Grand-Popo so that it will not be forgotten.


Something is happening in Cuba. There’s a movement fuelled by artists and intellectuals who no longer want to play by the rules. Meanwhile, Samuel, an exiled Cuban living in Italy, is no longer satisfied with his online activism and is looking for ways to finally contribute to the salvation of the troubled island.
Filmmaker Matthias Lintner decides to accompany Samuel on the adventurous road there. In the process, his own communist aspirations are put to the test. The more Matthias gets to know his protagonist, the more it seems that the (new) Cuban revolution is happening right from his living room in the Italian Alps. Together they embark on a journey with an uncertain outcome, falling in love along the way.


Becoming me is the intimate portrait of the changing relationship between the director and her first love. We follow Marian, born female, through all the doubts and fears of the dawning realization that Marian feels male. With the decision to become what he truly is, he might lose everything he has: his job, his family, his friends, his life.
Marian’s story is the story of the struggle to live in a body that is not owned, in a role that is not accepted, trapped in a traditional society where being different means not to belong.


When is a war over? Souvenirs of War offers an essayistic tour to Bosnia, more than two decades after the last armed conflict in Europe, when many sites of sorrow have become tourist attractions. A journey along the fine line between dark travel and empathetic memory, where some enjoy playing combat games on authentic battlefields, while others still struggle to make their traumatic legacy become an opportunity.